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Meridians

Meridians

Flickering fast still faint light illuminates

the last leftover of the dying day.

Bulb bent by blown breath, 

with tungsten's tongue titillates the watchful walls,

until they give up porous textures of peeling paint.

Mother shadow hugs her curves discreetly,

protecting night's secrets from the halo's grasp.

The mirror sleeps at last relieved of her endless repetition.

A belch of steam strikes a sibilant cymbal.

The quiet echoes thereafter around a downy sheath.

When prying dawn stretches onto the floor,

night gathers her skirts and steps into

the waiting world of our distant dreams.

_______________________

This poem was adapted from my response to exercise one of Ursula K. Le Guin's book on narrative prose called "Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew." Thank you to Madeline Still Bergstrom for the recommendation. It is an easily accessible book of exercises in executing the precision of communication. As I go through the book on my own I will be tagging works that were derived from my responses. Please feel free to comment based on the discussion in the book also.

For instance, this exercise was on "Being Gorgeous," or exploring the beauty of linguistic sound without falling into poetry. I clearly failed in the latter regard. However, in my defense, the only defenses that she had set up against that pitfall were that it could not be regularly metered or rhyming. As much of my poetry, in contrast with my song lyrics, are neither I couldn't help myself. I will likely give this exercise another go in more prosaic form. For now though, I enjoy the poetic hazard of my first attempt.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Comments (7)

Apr 01, 2011
sandilee said...
More poetic hazards from you, please-- I enjoy them too!
I'm going to find the book- sounds good.
Apr 01, 2011
Deborah said...
Thank you. I look forward to see where you navigate also. After Le Guin, I am hitting other writing books by Anne Lamott, Ray Bradbury, and Stephen King. I'll let you know if they are equally worthy!
Apr 02, 2011
Jim Lawrence said...
The way you have broken the text into separate lines makes it look like a poem. Try rearranging it into a single paragraph; it might change the rhythm enough to make it more prose-like.
Apr 02, 2011
Deborah said...
Flickering fast still faint light illuminates the last leftover of the dying day. A bulb bent from blown breath, with tungsten's tongue's titillating the watchful walls, until they give up porous textures of peeling paint. Mother shadow hugs her curved cloak to a discreet edge, protecting night's secrets beyond the halo's grasp. The mirror sleeps, at last relieved of her endless repetition. A belch of steam from coiled tubes strikes a sibilant cymbal. The quiet echoes thereafter around the shell of a downy sheath. When the prying dawn stretches onto the floor, night gathers her skirts and steps back into the waiting world of our distant dreams.
Apr 02, 2011
Deborah said...
(Jim, that was my original response. I felt that with its anthropomorphic imagery it worked better as a poem and so revised its rhythm and added the line breaks to accentuate it. What do you think?)
Apr 03, 2011
James said...
Hmm, not sure if it makes as much of  a difference as I thought. The rhythmic effect seems to be about the same, now I look at it. Either way, it's a dramatic set of images.
Apr 03, 2011
Deborah said...
Thanks Jim. That was my thought. It's basically poetic prose in either case. I think that without the anthropomorphic imagery it could become descriptive prose. For now I'm happy leaving it as a poem and moving on to the next exercise.

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